The Living and the Dead: A Victorian Language of Flowers, ‘invisible’ lesbians and the New Woman

[This story was published on December 30 on the BAVS Neo-Victorian blog. Read the original story at┬á] It is autumn, 1894. A woman with a red dress and black hair stumbles through the misty forests of Shepzoy in Somerset. Attacked suddenly by an unseen force before the daguerreotype-style opening credits of The Living and the […]